The Woodstock
name has become more brand than spirit for many hippies, but people spanning
the generations continue to seek its aura, looking for more
"authentic" ways to pay homage to the spot where it all began. People
like visual artist and activist Christopher Peter Vanderessen shun
"commercial" events like those held at Bethel Woods Center for the
Arts, where the grounds that hosted the 1969 Woodstock stage are located and a
handful of veteran acts like Santana are playing for the 50th anniversary
weekend. The 45-year-old is among those in a generation too young to reminisce
about that 1969's weekend of peace, love and music, but who value the ideals
that Woodstock came to symbolize enough to carry them on.

Wielding a
walking staff etched with beaver teeth marks and wearing a long black cloak
emblazoned with neon paint, he journeys each year to the forest behind the old
Yasgur farmstead-also part of the sprawling original grounds that were lent to
Woodstock organizers by a benevolent farmer in 1969. Scores of people camp out
annually there to honor what they consider to be the original festival's
spirit. Children run wild as people of all ages dance, paint and relax in
hammocks among the tall pine trees, and a number of local bands play for the
crowd.

A muddy path
flanked by greenery snakes among dozens of makeshift stands proffering
crystals, pipes, tapestries and tie-dye T-shirts with slogans like "Make
America Grateful Again"-a reference to the quintessential 1960s rockers
The Grateful Dead mashed with US President Donald Trump's slogan. "This is
a little different than all the other Woodstock things," the 45-year-old
told AFP as the sun crept through the clouds, casting glimmers of light on the
colorful yarn he threaded among trees at his campsite to create an intricate
web.

"This is
more of a family reunion. It's not the commercial stuff," he said.
"What they don't get about Woodstock, was that it was meant to be this big
commercial." But facing a crush of people and lack of barriers the
original Woodstock became free, Vanderessen recalled, "so for most of us
it's a pilgrimage to come here. It's not about, 'Who is on the lineup.'"
"It's just that we need to be here."

Living the Woodstock
story

Those gathered in
the woods behind Yasgur's farm are decidedly younger than the crowd convened at
the Bethel center, where the beer comes from a sponsored tent rather than a new
friend's cooler. Mick and Amanda Jenkins, Pennsylvania natives who are
respectively 37 and 34, subscribe to the hippie lifestyle-what they call
"ideas of non-showy simplicity"-they say their parents imparted on
them.

For Amanda, it's
important to thread hippie principles of peace through the generations as part of
preserving "a legacy and a story that needs to be told." "If
somebody is not there to tell this story, then the story dies," said the
high school teacher, flower crown like a halo atop her wavy blonde locks and
crystals including an amethyst, a healing stone, in hand. Perched against a
tree nearby Michael Mahana, a three-year-old with a blonde bob, plays in the
mud with sticks, far from the tech-rich environments of his peers.

His mother,
Californian Shronnie Jean Miller, 42, says she grew up living on the road as a
"deadhead"-a groupie of the Grateful Dead who follows the band's
tours-and that camping out in the woods is "like my Ritz." A local
who goes by the name "Teach" came over to give her son a child's size
poncho in case the rains sweep in. "It's all peace and love and a good
vibe," she said. "We're all just at home in the woods."

For New York
state resident Vanderessen, who in addition to web building specializes in
painting people's clothes while they're still wearing them, being a hippie is
simply "being aware of social change, and being a part of the change
rather than... complaining about what other people are doing.  As he's done for three decades he'll be back
next year to this hippie enclave, not for nostalgia for what was but rather what
he believes could be-a more relaxed, more inclusive society. "It's about
respecting what was there but also showing how we're evolving and
changing," the psychedelic trance music fan who sports long dark hair
said. "That's what Woodstock is about." "It shouldn't be a
concert, it should be a worldwide holiday." - AFP